The British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. Touring extensively, the group performs repertoire from Renaissance polyphony to contemporary commissions and arrangements; versatility and a celebration of diverse musical expression is central to the ensemble’s performance ethos.
The British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. Touring globally, the group performs an extensive repertory both in its a cappella concerts and in collaborations with leading orchestras, conductors and soloists. Versatility and a celebration of diverse musical expression are central to the ensemble’s performance and education ethos.
VOCES8 has performed at many notable venues including Wigmore Hall, Bridgewater Hall, Elbphilharmonie, Cité de la Musique, Vienna Konzerthaus, Tokyo Opera City, NCPA Beijing, Sydney Opera House, Mariinsky Theatre Concert Hall, Victoria Concert Hall Singapore, Palacio de Bellas Artes Mexico City and many others. As the group celebrates its 15th season they will perform in fourteen countries in the UK and across Europe, in Russia, in the USA and Japan, as well as make its debut visit to New Zealand. Keen musical collaborators, this season will see concerts with the Academy of Ancient Music, the Mahler Chamber Orchestra, and with baroque violinist Rachel Podger, with whom the critically acclaimed ‘Guardian Angel’ project will continue.
With an on-going programme of recordings, videos and live broadcasts, VOCES8 is heard regularly on albums, international television and radio, as well as maintaining a vibrant web performance presence. The ensemble is a Decca Classics artist and has released acclaimed recordings that have all reached the top of the classical charts. Their latest release is ‘Enchanted Isle’, released in January 2019. This season sees planned releases with Decca Classics as well as a series of 4 EP releases joining together into an album called ‘After Silence’ on the group’s own label.
VOCES8 is passionate about music education and is the flagship ensemble of the music charity the VOCES8 Foundation. Engaging in a broad range of outreach work that reaches up to 40,000 people a year, the group runs an annual programme of workshops and masterclasses at the Foundation’s home in London, the VOCES8 Centre at St Anne & St Agnes Church. Dedicated to supporting promising young singers, the group awards eight annual choral scholarships through the VOCES8 Scholars initiative. These scholarships are linked to the annual Milton Abbey Summer School at which amateur singers of all ages are invited to work and perform with VOCES8. Through the separate VOCES8 USA Foundation there is another set of 8 talented Scholars. The ensemble is proud to be the Associate Ensemble for Cambridge University and delivers a Masters programme in choral studies.
VOCES8 has premiered commissions from Jonathan Dove, Roxanna Panufnik, Alexander Levine, Alec Roth, Ben Parry, Ola Gjeilo, Philip Stopford, Graham Lack, Thomas Hewitt Jones and Owain Park. 2019 will see Roxanna Panufnik as the group’s Composer-in-Residence, and Jim Clements as Arranger-in-Residence. As ambassadors for Edition Peters the ensemble publishes educational material including the ‘VOCES8 Method’. Developed by Paul Smith, co-founder of VOCES8, this renowned and unique teaching tool is available in four languages and adopts music to enhance development in numeracy, literacy and linguistics. Also available are two anthologies of its arrangements, and an ever-expanding ‘VOCES8 Singles’ range.
For more information about the music education programmes offered by VOCES8 and the VOCES8 Foundation please visit www.voces8.foundation.
Thematically, it's a clever concept, and is both programmed and sung with rare intelligence . . . the ensemble has a distinctive texture and the acoustics are responsive but not too bright . . . [one surprise highlight is "The Luckiest"] by pop singer Ben Folds. Magical.
Thankfully, "Eventide" not only features some of the finest choral singing you'll hear anywhere; as far as chill albums go, it's one of the best I've heard . . . [all the performances] are without exception impeccable.
The singing is crisp and accurate … The period performance movement has demonstrated how to bring life and energy back to Bach’s choral textures, but none of the big names have produced anything that is quite as much fun as this.
The slickest of the lot … two parts King’s Singers, three parts Swingle Singers, a dash of Bobby McFerrin and California sunshine … fans of a cappella ought to hear this, not just for the singing but the production values and Jim Clements audacious arrangements.